Artist Highlight: Shawna Moulton
Image: Pedro Wazzan, 2022.
Meet Shawna Moulton, a multi-disciplinary artist and art educator who, after having been an associate artist through our Summer Open 2022 program, recently became a resident Bakehouse artist.
Through her life-size paper-casting of figures, illustrations on handmade paper, and watercolor painting, Shawna's work reflects her journey into motherhood and her search for identity. As an immigrant in America with deep connections to the Caribbean, rooted in the richness of the African Diaspora, her work delves into themes of heritage and belonging.
Shawna firmly believes that diverse stories are essential in creating a more just world where folks can feel seen and represented. Ultimately, her practice reflects a deep commitment to diverse representation through art-making.
Can you tell us about your artistic practice?
My artistic practice is a multifaceted exploration rooted in personal experiences, cultural heritage, and a love for the creative process.
Tell us about a personal artistic project or body of work that you are currently excited about.
Currently, I’m working on a personal artistic project series of mixed-media portraits exploring the theme of motherhood and my ancestral connections from the Caribbean Diaspora.
Tell us about how you have developed as an artist since you began working at Bakehouse.
Working at Bakehouse Arts Complex has been a wonderful experience that has significantly contributed to the exposure of my work. Since joining the community at the Bakehouse, I have had the opportunity to immerse myself in my studio practice in a supportive artistic environment, surrounded by fellow creatives who have been very welcoming.
Currently, Shawna’s work is featured in the following exhibitions: The Face of Us at the National Gallery of Jamaica, on view through March 31st; MAGIC, MIRTH, AND MORTALITY: Musings On Black Motherhood on view now at Young At Art Museum, through June 9th; and Movers and Shakers: The Art of Cultural Workers at Hatch 1121, on view through March 29th.